The one people remember.
A proper spot — lit, shot and graded like a commercial, because that’s what it is. The piece you run before a movie, launch a season with, or put real money behind.
What a ROOK commercial looks like.
One shoot. One commercial. Or two, for not much more.
A commercial is a different job from a content session. It’s scripted, it’s lit, and it’s built to be the best-looking thing your business has ever put out. We spend the day on one idea instead of four.
The add-on worth knowing about: once the crew and the lighting are already in your building, a second spot costs a fraction of the first. If you’ve got two things to say this quarter, say them on the same day.
Tier 1 Individual commercial
One polished 30–60 second commercial. Scripted with you, shot in a day, graded and delivered ready to run.
Quoted per project.
Tier 2 Second spot, same shoot
Add a second commercial while we’re already on site. Same crew, same lighting, same day — so it costs a lot less than booking it separately. The easiest yes on the sheet.
Tier 3 Full production
Cast actors, a lighting crew, locations, a real budget. If that’s what you have in mind, we’ll scope it properly and quote it properly.
Quote only — tell us what you’re picturing and we’ll tell you what it takes.
No commercial price has been set yet. The old package card never had one — Kat has been quoting these ad hoc. Until there's a number, this page says “quoted per project,” which is also what the research says established studios do for bespoke work. If you want a “from $X,” that number has to get set first.
Tell us what you’re picturing.
Even a rough idea is enough to quote from. We’ll come back with what it takes, what it costs, and when we could shoot it.